Essai de Sociologie du Cinéma: Morgan ou l’impossible Révolution – Annie Goldmann et Jaques Leenhardt

Öz:
Annie Goldmann ve Jacques Leenhardt, Essai de sociologie du cinéma: Morgan ou l’impossible révolution başlıklı çalışmalarında Karel Reisz’in Morgan: A Suitable Case for Treatment filmini sosyolojik ve Marksist bir perspektifle analiz eder. Lucien Goldmann’ın genetik yapısalcılık yaklaşımından hareketle, filmin kahramanının devrimci arzusunun geç kapitalist toplumun ideolojik ve kurumsal yapıları içinde başarısızlığa mahkûm olduğunu savunurlar. Film, radikal eleştirinin sinema tarafından nasıl soğurulduğunu ya da estetikleştirilerek etkisizleştirildiğini gösteren bir örnek olarak değerlendirilir. Sonuç olarak çalışma, modern sinemanın toplumsal çelişkileri yansıttığını ancak gerçek bir devrimci dönüşüm üretmekte yetersiz kaldığını ileri sürer.

Abstract:
In Essai de sociologie du cinéma: Morgan ou l’impossible révolution, Annie Goldmann and Jacques Leenhardt examine Karel Reisz’s film Morgan: A Suitable Case for Treatment within a framework of sociological and Marxist film analysis. Drawing on Lucien Goldmann’s genetic structuralism, they interpret the protagonist’s revolutionary aspirations as structurally doomed within the ideological and institutional conditions of late capitalism. The film becomes a case study demonstrating how cinematic narratives absorb, neutralize, or aestheticize radical critique. The authors ultimately argue that modern cinema reflects social contradictions but rarely enables genuine revolutionary transformation.

MARC 21 ve ONIX 3.0 KAYITLARI İÇİN TIKLAYINIZ.

MARC 21

ONIX 3.0

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