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  dc:title "The Renaissance: Studies in Art and Poetry - Walter Pater" ;
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<figure class="wp-block-table"><table class="has-fixed-layout"><tbody><tr><td><strong>Kitap Adı</strong> <strong>/ Yazar</strong></td><td>The Renaissance: Studies in Art and Poetry / Walter Pater</td></tr><tr><td><strong>Sayfa Sayısı</strong></td><td>238</td></tr><tr><td><strong>Baskı Sayısı</strong> <strong>/ Yer</strong></td><td>1. Baskı / Samsun</td></tr><tr><td><strong>ISBN</strong></td><td>978-625-8950-11-3</td></tr><tr><td><strong>DOI</strong></td><td>10.5281/zenodo.22162295</td></tr><tr><td><strong>Dil</strong></td><td>İngilizce</td></tr><tr><td><strong>Seri/Numara</strong></td><td>43</td></tr><tr><td><strong>Ana Konular</strong></td><td>Aestheticism, Art for Art's Sake, Renaissance Art, Walter Pater, Victorian Criticism</td></tr><tr><td><strong>Atıf/Cite</strong></td><td></td></tr></tbody></table></figure>
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<p><strong>Öz:</strong><br>Walter Pater'ın <em>The Renaissance: Studies in Art and Poetry</em> (Rönesans: Sanat ve Şiir İncelemeleri, 1873) adlı çalışması, sanatın ahlaki bir değer yerine yalnızca güzelliği için takdir edilmesi gerektiğini savunan Estetizm akımının temel taşlarından biridir. Botticelli, Leonardo da Vinci ve Michelangelo gibi önemli isimler üzerine kaleme alınan denemeler aracılığıyla Pater, döneme yön veren entelektüel ve sanatsal uyanış ruhunu inceler. Eserin ünlü sonuç bölümü, hayatın yoğun estetik izlenimlerin peşinde kesintisiz bir arayış olarak yaşanması gerektiğini öne sürer. Derinlikli sanat eleştirisini edebi bir üslupla harmanlayan bu kitap, 19. yüzyıl sanat tarihi ve edebiyat teorisine yeni bir yön vermiştir.<br><strong>Abstract:</strong><br>Walter Pater's <em>The Renaissance: Studies in Art and Poetry</em> (1873) is a foundational text of the Aesthetic Movement, famously asserting that art should be appreciated purely for its beauty rather than its moral value. Through a series of essays on key figures such as Botticelli, Leonardo da Vinci, and Michelangelo, Pater explores the spirit of intellectual and artistic rebirth that defined the era. The work famously concludes with Pater's doctrine that life should be lived as a continuous search for intense aesthetic impressions, encouraging readers to "burn always with this hard, gem-like flame." By blending insightful art criticism with polished prose, Pater reshaped 19th-century art history and literary theory.</p>
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Kitap Adı / YazarThe Renaissance: Studies in Art and Poetry / Walter PaterSayfa Sayısı238Baskı Sayısı / Yer1. Baskı / SamsunISBN978-625-8950-11-3DOI10.5281/zenodo.22162295DilİngilizceSeri/Numara43Ana KonularAestheticism, Art for Art's Sake, Renaissance Art, Walter Pater, Victorian CriticismAtıf/Cite





Öz:Walter Pater'ın The Renaissance: Studies in Art and Poetry (Rönesans: Sanat ve Şiir İncelemeleri, 1873) adlı çalışması, sanatın ahlaki bir değer yerine yalnızca güzelliği için takdir edilmesi gerektiğini savunan Estetizm akımının temel taşlarından biridir. Botticelli, Leonardo da Vinci ve Michelangelo gibi önemli isimler üzerine kaleme alınan denemeler aracılığıyla Pater, döneme yön veren entelektüel ve sanatsal uyanış ruhunu inceler. Eserin ünlü sonuç bölümü, hayatın yoğun estetik izlenimlerin peşinde kesintisiz bir arayış olarak yaşanması gerektiğini öne sürer. Derinlikli sanat eleştirisini edebi bir üslupla harmanlayan bu kitap, 19. yüzyıl sanat tarihi ve edebiyat teorisine yeni bir yön vermiştir.Abstract:Walter Pater's The Renaissance: Studies in Art and Poetry (1873) is a foundational text of the Aesthetic Movement, famously asserting that art should be appreciated purely for its beauty rather than its moral value. Through a series of essays on key figures such as Botticelli, Leonardo da Vinci, and Michelangelo, Pater explores the spirit of intellectual and artistic rebirth that defined the era. The work famously concludes with Pater's doctrine that life should be lived as a continuous search for intense aesthetic impressions, encouraging readers to "burn always with this hard, gem-like flame." By blending insightful art criticism with polished prose, Pater reshaped 19th-century art history and literary theory.



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