{"https:\/\/umayyayinevi.com\/?p=2802":{"http:\/\/www.w3.org\/1999\/02\/22-rdf-syntax-ns#type":[{"type":"uri","value":"http:\/\/rdfs.org\/sioc\/ns#Post"},{"type":"uri","value":"http:\/\/rdfs.org\/sioc\/types#BlogPost"}],"http:\/\/purl.org\/dc\/elements\/1.1\/title":[{"type":"literal","value":"Italian Sculpture of the Renaissance - Lucy Jane Freeman"}],"http:\/\/purl.org\/dc\/terms\/identifier":[{"type":"literal","value":"2802","datatype":"http:\/\/www.w3.org\/2001\/XMLSchema#integer"}],"http:\/\/purl.org\/dc\/elements\/1.1\/modified":[{"type":"literal","value":"2026-08-29","datatype":"http:\/\/www.w3.org\/2001\/XMLSchema#date"}],"http:\/\/purl.org\/dc\/elements\/1.1\/created":[{"type":"literal","value":"2026-08-29","datatype":"http:\/\/www.w3.org\/2001\/XMLSchema#date"}],"http:\/\/rdfs.org\/sioc\/ns#link":[{"type":"uri","value":"https:\/\/umayyayinevi.com\/italian-sculpture-of-the-renaissance-lucy-jane-freeman\/"}],"http:\/\/rdfs.org\/sioc\/ns#has_creator":[{"type":"uri","value":"https:\/\/umayyayinevi.com\/author\/halkbilimci\/#account"}],"http:\/\/rdfs.org\/sioc\/ns#has_container":[{"type":"uri","value":"https:\/\/umayyayinevi.com\/#posts"}],"http:\/\/purl.org\/dc\/elements\/1.1\/abstract":[{"type":"literal","value":""}],"http:\/\/purl.org\/rss\/1.0\/modules\/content\/encoded":[{"type":"literal","value":"<![CDATA[<!-- wp:columns {\"className\":\" block-ece6fde0-2a76-43fe-b252-7e60ba151620 block-ca9963ba-650a-4943-8a75-c545bc3b6dc7\"} -->\n<div class=\"wp-block-columns  block-ece6fde0-2a76-43fe-b252-7e60ba151620 block-ca9963ba-650a-4943-8a75-c545bc3b6dc7\"><!-- wp:column {\"width\":\"33.33%\",\"className\":\"gutenova-block-column block-fd912088-a379-480d-873e-7357f342da57\"} -->\n<div class=\"wp-block-column gutenova-block-column block-fd912088-a379-480d-873e-7357f342da57\" style=\"flex-basis:33.33%\"><!-- wp:image {\"id\":2803,\"sizeSlug\":\"large\",\"linkDestination\":\"none\"} -->\n<figure class=\"wp-block-image size-large\"><img src=\"https:\/\/umayyayinevi.com\/wp-content\/uploads\/2026\/08\/Italian-Sculpture-on-the-Renaissance-682x1024.avif\" alt=\"\" class=\"wp-image-2803\"\/><\/figure>\n<!-- \/wp:image --><\/div>\n<!-- \/wp:column -->\n\n<!-- wp:column {\"width\":\"66.66%\",\"className\":\"gutenova-block-column block-e231c383-cf3e-41b9-9319-5de0a6d3f0f6\",\"backgroundColor\":\"background\"} -->\n<div class=\"wp-block-column gutenova-block-column block-e231c383-cf3e-41b9-9319-5de0a6d3f0f6 has-background-background-color has-background\" style=\"flex-basis:66.66%\"><!-- wp:table -->\n<figure class=\"wp-block-table\"><table class=\"has-fixed-layout\"><tbody><tr><td><strong>Kitap Ad\u0131<\/strong> <strong>\/ Yazar<\/strong><\/td><td>Italian Sculpture of the Renaissance \/ Lucy Jane Freeman<\/td><\/tr><tr><td><strong>Sayfa Say\u0131s\u0131<\/strong><\/td><td>212<\/td><\/tr><tr><td><strong>Bask\u0131 Say\u0131s\u0131<\/strong> <strong>\/ Yer<\/strong><\/td><td>1. Bask\u0131 \/ Samsun<\/td><\/tr><tr><td><strong>ISBN<\/strong><\/td><td>978-625-8950-23-6<\/td><\/tr><tr><td><strong>DOI<\/strong><\/td><td>10.5281\/zenodo.22163309<\/td><\/tr><tr><td><strong>Dil<\/strong><\/td><td>\u0130ngilizce<\/td><\/tr><tr><td><strong>Seri\/Numara<\/strong><\/td><td>49<\/td><\/tr><tr><td><strong>Ana Konular<\/strong><\/td><td>Renaissance Sculpture, Italian Art History, Donatello, Classical Revival, Humanism<\/td><\/tr><tr><td><strong>At\u0131f\/Cite<\/strong><\/td><td><\/td><\/tr><\/tbody><\/table><\/figure>\n<!-- \/wp:table --><\/div>\n<!-- \/wp:column --><\/div>\n<!-- \/wp:columns -->\n\n<!-- wp:paragraph -->\n<p><strong>\u00d6z:<\/strong><br>Lucy Jane Freeman\u2019\u0131n <em>Italian Sculpture of the Renaissance<\/em> (R\u00f6nesans \u0130talyan Heykelt\u0131ra\u015fl\u0131\u011f\u0131, 1901) adl\u0131 \u00e7al\u0131\u015fmas\u0131, R\u00f6nesans d\u00f6nemi heykel sanat\u0131n\u0131n estetik geli\u015fimini ve \u00fcslup d\u00f6n\u00fc\u015f\u00fcmlerini inceleyen ele\u015ftirel bir rehberdir. Eser; 15. y\u00fczy\u0131l ba\u015f\u0131ndaki mek\u00e2nsal yeniliklerden Y\u00fcksek R\u00f6nesans ustal\u0131k d\u00f6nemine uzanan s\u00fcreci Donatello, Luca della Robbia, Verrocchio ve Michelangelo gibi \u00f6nc\u00fc isimler \u00fczerinden takip eder. Freeman; heykelt\u0131ra\u015flar\u0131n klasik antik d\u00f6nem ideallerini yeniden nas\u0131l ke\u015ffetti\u011fini, anatomik ger\u00e7ek\u00e7ili\u011fi ve h\u00fcmanist felsefeyi mermer, bronz ve pi\u015fmi\u015f topra\u011fa nas\u0131l aktard\u0131klar\u0131n\u0131 analiz eder. Yap\u0131t, d\u00f6nem sanat\u0131n\u0131n teknik becerilerini, hami ili\u015fkilerini ve estetik niteliklerini anla\u015f\u0131l\u0131r bir dille sunmaktad\u0131r.<br><strong>Abstract:<\/strong><br>Lucy Jane Freeman\u2019s <em>Italian Sculpture of the Renaissance<\/em> (1901) offers an accessible critical analysis of the aesthetic evolution and stylistic developments in Renaissance sculpture. Freeman traces the shift from early 15th-century spatial innovations to High Renaissance mastery, focusing on key figures such as Donatello, Luca della Robbia, Verrocchio, and Michelangelo. The text examines how sculptors rediscovered classical ideals, integrated anatomical realism, and expressed humanist philosophy through stone, bronze, and terracotta. Designed as an interpretive guide for art lovers and scholars, the work illuminates the technical techniques, cultural patrons, and aesthetic qualities that defined Italian Renaissance plastic arts.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:file {\"id\":2804,\"href\":\"https:\/\/umayyayinevi.com\/wp-content\/uploads\/2026\/08\/Italian-Sculpture-on-the-Renaissance.pdf\",\"displayPreview\":true} -->\n<div class=\"wp-block-file\"><object class=\"wp-block-file__embed\" data=\"https:\/\/umayyayinevi.com\/wp-content\/uploads\/2026\/08\/Italian-Sculpture-on-the-Renaissance.pdf\" type=\"application\/pdf\" style=\"width:100%;height:600px\" aria-label=\"Italian Sculpture on the Renaissance\"><\/object><a id=\"wp-block-file--media-d04c35c2-5bc8-4029-b52b-7d2b23f7bfb5\" href=\"https:\/\/umayyayinevi.com\/wp-content\/uploads\/2026\/08\/Italian-Sculpture-on-the-Renaissance.pdf\">Italian Sculpture on the Renaissance<\/a><a href=\"https:\/\/umayyayinevi.com\/wp-content\/uploads\/2026\/08\/Italian-Sculpture-on-the-Renaissance.pdf\" class=\"wp-block-file__button wp-element-button\" download aria-describedby=\"wp-block-file--media-d04c35c2-5bc8-4029-b52b-7d2b23f7bfb5\">\u0130ndir<\/a><\/div>\n<!-- \/wp:file -->]]>","datatype":"http:\/\/www.w3.org\/1999\/02\/22-rdf-syntax-ns#XMLLiteral"}],"http:\/\/rdfs.org\/sioc\/ns#content":[{"type":"literal","value":"\n\n\n\n\n\n\n\n\nKitap Ad\u0131 \/ YazarItalian Sculpture of the Renaissance \/ Lucy Jane FreemanSayfa Say\u0131s\u0131212Bask\u0131 Say\u0131s\u0131 \/ Yer1. Bask\u0131 \/ SamsunISBN978-625-8950-23-6DOI10.5281\/zenodo.22163309Dil\u0130ngilizceSeri\/Numara49Ana KonularRenaissance Sculpture, Italian Art History, Donatello, Classical Revival, HumanismAt\u0131f\/Cite\n\n\n\n\n\n\u00d6z:Lucy Jane Freeman\u2019\u0131n Italian Sculpture of the Renaissance (R\u00f6nesans \u0130talyan Heykelt\u0131ra\u015fl\u0131\u011f\u0131, 1901) adl\u0131 \u00e7al\u0131\u015fmas\u0131, R\u00f6nesans d\u00f6nemi heykel sanat\u0131n\u0131n estetik geli\u015fimini ve \u00fcslup d\u00f6n\u00fc\u015f\u00fcmlerini inceleyen ele\u015ftirel bir rehberdir. Eser; 15. y\u00fczy\u0131l ba\u015f\u0131ndaki mek\u00e2nsal yeniliklerden Y\u00fcksek R\u00f6nesans ustal\u0131k d\u00f6nemine uzanan s\u00fcreci Donatello, Luca della Robbia, Verrocchio ve Michelangelo gibi \u00f6nc\u00fc isimler \u00fczerinden takip eder. Freeman; heykelt\u0131ra\u015flar\u0131n klasik antik d\u00f6nem ideallerini yeniden nas\u0131l ke\u015ffetti\u011fini, anatomik ger\u00e7ek\u00e7ili\u011fi ve h\u00fcmanist felsefeyi mermer, bronz ve pi\u015fmi\u015f topra\u011fa nas\u0131l aktard\u0131klar\u0131n\u0131 analiz eder. Yap\u0131t, d\u00f6nem sanat\u0131n\u0131n teknik becerilerini, hami ili\u015fkilerini ve estetik niteliklerini anla\u015f\u0131l\u0131r bir dille sunmaktad\u0131r.Abstract:Lucy Jane Freeman\u2019s Italian Sculpture of the Renaissance (1901) offers an accessible critical analysis of the aesthetic evolution and stylistic developments in Renaissance sculpture. Freeman traces the shift from early 15th-century spatial innovations to High Renaissance mastery, focusing on key figures such as Donatello, Luca della Robbia, Verrocchio, and Michelangelo. The text examines how sculptors rediscovered classical ideals, integrated anatomical realism, and expressed humanist philosophy through stone, bronze, and terracotta. Designed as an interpretive guide for art lovers and scholars, the work illuminates the technical techniques, cultural patrons, and aesthetic qualities that defined Italian Renaissance plastic arts.\n\n\n\nItalian Sculpture on the Renaissance\u0130ndir\n"}],"http:\/\/rdfs.org\/sioc\/ns#topic":[{"type":"uri","value":"https:\/\/umayyayinevi.com\/category\/genel-ru\/"}],"http:\/\/rdfs.org\/sioc\/ns#attachment":[{"type":"uri","value":"https:\/\/umayyayinevi.com\/wp-content\/uploads\/2026\/08\/Italian-Sculpture-on-the-Renaissance.pdf"},{"type":"uri","value":"https:\/\/umayyayinevi.com\/wp-content\/uploads\/2026\/08\/Italian-Sculpture-on-the-Renaissance.png"}]},"https:\/\/umayyayinevi.com\/author\/halkbilimci\/#account":{"http:\/\/www.w3.org\/2000\/01\/rdf-schema#seeAlso":[{"type":"uri","value":"https:\/\/umayyayinevi.com\/author\/halkbilimci\/?feed=lhrdf&format=json"}]},"https:\/\/umayyayinevi.com\/category\/genel-ru\/":{"http:\/\/www.w3.org\/2000\/01\/rdf-schema#seeAlso":[{"type":"uri","value":"https:\/\/umayyayinevi.com\/category\/genel-ru\/?feed=lhrdf&format=json"}]},"https:\/\/umayyayinevi.com\/wp-content\/uploads\/2026\/08\/Italian-Sculpture-on-the-Renaissance.pdf":{"http:\/\/www.w3.org\/2000\/01\/rdf-schema#seeAlso":[{"type":"uri","value":"https:\/\/umayyayinevi.com\/italian-sculpture-of-the-renaissance-lucy-jane-freeman\/italian-sculpture-on-the-renaissance-2\/?feed=lhrdf&format=json"}]},"https:\/\/umayyayinevi.com\/wp-content\/uploads\/2026\/08\/Italian-Sculpture-on-the-Renaissance.png":{"http:\/\/www.w3.org\/2000\/01\/rdf-schema#seeAlso":[{"type":"uri","value":"https:\/\/umayyayinevi.com\/italian-sculpture-of-the-renaissance-lucy-jane-freeman\/italian-sculpture-on-the-renaissance\/?feed=lhrdf&format=json"}]}}