{"id":3921,"date":"2026-10-23T21:30:06","date_gmt":"2026-10-23T21:30:06","guid":{"rendered":"https:\/\/umayyayinevi.com\/?p=3921"},"modified":"2026-10-23T21:31:24","modified_gmt":"2026-10-23T21:31:24","slug":"sanat-ve-tasarimda-hayalden-imgeye-editor-hakan-ciloglu","status":"publish","type":"post","link":"https:\/\/umayyayinevi.com\/en\/sanat-ve-tasarimda-hayalden-imgeye-editor-hakan-ciloglu\/","title":{"rendered":"Sanat ve Tasar\u0131mda Hayalden \u0130mgeye – Edit\u00f6r: Hakan \u00c7ilo\u011flu"},"content":{"rendered":"
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Book Name<\/strong> \/ Yazar<\/strong><\/td>Sanat ve Tasar\u0131mda Hayalden \u0130mgeye \/ Edit\u00f6r: Hakan \u00c7ilo\u011flu<\/td><\/tr>
Publishing Year<\/strong><\/td>2026 \/ Umay Yay\u0131nevi<\/td><\/tr>
Number of Pages<\/strong><\/td>327<\/td><\/tr>
Edition Number<\/strong> Location<\/strong><\/td>1st Edition<\/td><\/tr>
ISBN<\/strong><\/td>978-625-8950-97-7<\/td><\/tr>
DOI<\/strong><\/td>10.5281\/zenodo.23456883<\/td><\/tr>
Language<\/strong><\/td>T\u00fcrk\u00e7e<\/td><\/tr>
Main Topics<\/strong><\/td>Sanat, Tasar\u0131m, Hayal, \u0130mge, Plastik Sanatlar<\/td><\/tr>
At\u0131f\/Cite<\/strong><\/td>\u00c7ilo\u011flu, H. (Ed.) (2026). Sanat ve tasar\u0131mda hayalden imgeye.<\/em> Umay Yay\u0131nevi.<\/td><\/tr><\/tbody><\/table><\/figure>\n<\/div>\n<\/div>\n\n\n\n

\u00d6z:<\/strong>
\u0130nsan, hayat\u0131 boyunca i\u00e7inde ya\u015fad\u0131\u011f\u0131 d\u00fcnyay\u0131 anlamaya \u00e7al\u0131\u015f\u0131rken, g\u00f6r\u00fcnenin \u00f6tesindeki ger\u00e7e\u011fe ula\u015fmaya y\u00f6nelmi\u015f; hayallerinde kurdu\u011fu d\u00fcnyay\u0131 duygu, d\u00fc\u015f\u00fcnce ve tecr\u00fcbeleriyle bi\u00e7ime d\u00f6n\u00fc\u015ft\u00fcrmenin yollar\u0131n\u0131 aram\u0131\u015ft\u0131r. Sanat\u0131n ve tasar\u0131m\u0131n ba\u015flang\u0131\u00e7 noktas\u0131, g\u00f6r\u00fcnen ger\u00e7ekli\u011fin s\u0131n\u0131rlar\u0131 d\u0131\u015f\u0131nda, insan\u0131n i\u00e7 d\u00fcnyas\u0131nda bi\u00e7imlenen hayaller, umutlar, h\u00fcz\u00fcnler ve mutluluk aray\u0131\u015flar\u0131n\u0131n g\u00f6ky\u00fcz\u00fc ve do\u011fan\u0131n d\u00f6ng\u00fcs\u00fc i\u00e7inde de\u011fi\u015fen ya\u015fam ritimleriyle anlam kazand\u0131\u011f\u0131; insan\u0131n kendisini, hayat\u0131 ve sonsuzlu\u011fu sorgulad\u0131\u011f\u0131 derin bir yolculu\u011fa \u00e7\u0131kmakt\u0131r. Bu anlamda hayal, insan\u0131n g\u00f6r\u00fcnen d\u00fcnyan\u0131n \u00f6tesine uzanan i\u00e7sel aray\u0131\u015f\u0131n\u0131n ve hen\u00fcz bi\u00e7im kazanmam\u0131\u015f d\u00fc\u015f\u00fcncelerinin kayna\u011f\u0131, imge ise duyusal, duygusal ve d\u00fc\u015f\u00fcnsel s\u00fcrecin g\u00f6r\u00fcn\u00fcrl\u00fck kazand\u0131\u011f\u0131, hayat ve zamana kar\u015f\u0131 kal\u0131c\u0131 bir iz b\u0131rakma iste\u011fiyle bi\u00e7ime d\u00f6n\u00fc\u015ft\u00fcrd\u00fc\u011f\u00fc anlam alan\u0131n\u0131 olu\u015fturur. Sanat\u0131n tarihsel ser\u00fcveni boyunca insan; t\u00fcm belle\u011fini farkl\u0131 kompozisyonlar, teknik ve malzemelerle yorumlam\u0131\u015ft\u0131r. Sanat yap\u0131tlar\u0131 g\u00f6r\u00fclen ger\u00e7eklikte mekan, y\u00fczey, bi\u00e7im, renk ve dokularla temsil edilirken; g\u00f6r\u00fcnmeyen, hat\u0131rlanan, d\u00fc\u015flenen ki\u015fisel ifade arac\u0131 olarak da izleyicilere sunulmu\u015ftur. Bu nedenle sanat eseri yaln\u0131zca somut bir nesne, tasar\u0131m ise yaln\u0131zca kurgulama eylemi de\u011fildir; her ikisi de insan\u0131n hayat\u0131 alg\u0131lama, ya\u015fam fark\u0131ndal\u0131\u011f\u0131, anlamland\u0131rma ve kendi konumuna ili\u015fkin d\u00fc\u015f\u00fcncelerin g\u00f6r\u00fcn\u00fcr olma bi\u00e7imidir. Bununla birlikte sanat, bireysel bir ifade alan\u0131 olman\u0131n \u00f6tesinde; toplumsal ya\u015fam, k\u00fclt\u00fcrel kimlik, \u00e7evre ve kamusal alanla kurdu\u011fu ba\u011flar arac\u0131l\u0131\u011f\u0131yla estetik, i\u015flevsel ve d\u00fc\u015f\u00fcnd\u00fcr\u00fcc\u00fc nitelikler kazanmakta; bu \u00e7ok y\u00f6nl\u00fc etkile\u015fim, sanat\u0131n toplumsal ve k\u00fclt\u00fcrel ya\u015fam i\u00e7indeki yerini belirginle\u015ftirmektedir. Sanat ve Tasar\u0131mda Hayalden \u0130mgeye, \u00f6zg\u00fcn akademik \u00e7al\u0131\u015fmalarla yeni sorulara kaynakl\u0131k etme, d\u00fc\u015f\u00fcnceleri art\u0131rma ve gelecekteki ara\u015ft\u0131rmalara y\u00f6n verme a\u00e7\u0131s\u0131ndan anlam kazanan bir kitapt\u0131r.<\/p>\n\n\n\n

Abstract:<\/strong>
Throughout their lives, as humans have sought to understand the world in which they live, they have strived to reach the truth beyond what is visible; they have sought ways to give form to the world they envision in their dreams through their emotions, thoughts, and experiences. The starting point of art and design is a profound journey\u2014one in which dreams, hopes, sorrows, and the quest for happiness, shaped within the human psyche beyond the boundaries of visible reality, gain meaning through the changing rhythms of life within the sky and the cycles of nature; a journey in which humans question themselves, life, and infinity. In this sense, imagination is the source of humanity\u2019s inner quest extending beyond the visible world and of thoughts that have not yet taken shape, while the image constitutes the realm of meaning where the sensory, emotional, and intellectual process becomes visible\u2014transformed into form by the desire to leave a lasting imprint on life and time. Throughout the historical journey of art, humans have interpreted their entire memory through various compositions, techniques, and materials. While works of art are represented in visible reality through space, surface, form, color, and texture, they are also presented to viewers as a means of personal expression\u2014embodying the unseen, the remembered, and the imagined. For this reason, a work of art is not merely a tangible object, nor is design merely the act of conceptualization; both are ways in which a person\u2019s perception of life, awareness of existence, interpretation of meaning, and reflections on their own position become visible. Furthermore, art goes beyond being a realm of individual expression; it establishes connections with social life, cultural identity, the environment, and the public sphere.<\/p>\n\n\n\n