{"id":3897,"date":"2026-10-22T22:08:38","date_gmt":"2026-10-22T22:08:38","guid":{"rendered":"https:\/\/umayyayinevi.com\/?p=3897"},"modified":"2026-10-22T22:16:35","modified_gmt":"2026-10-22T22:16:35","slug":"koklerden-gelecege-geleneksel-turk-sanatlari-ii-editor-aysegul-karakelle-alper","status":"publish","type":"post","link":"https:\/\/umayyayinevi.com\/en\/koklerden-gelecege-geleneksel-turk-sanatlari-ii-editor-aysegul-karakelle-alper\/","title":{"rendered":"K\u00f6klerden Gelece\u011fe: Geleneksel T\u00fcrk Sanatlar\u0131 -II- (Edit\u00f6r: Ay\u015feg\u00fcl Karakelle Alper)"},"content":{"rendered":"
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Book Name<\/strong> \/ Yazar<\/strong><\/td>K\u00f6klerden Gelece\u011fe: Geleneksel T\u00fcrk Sanatlar\u0131 -II- \/ Edit\u00f6r: Ay\u015feg\u00fcl Karakelle Alper<\/td><\/tr>
Publishing Year<\/strong><\/td>2026 \/ Umay Yay\u0131nevi<\/td><\/tr>
Number of Pages<\/strong><\/td>183<\/td><\/tr>
Edition Number<\/strong> Location<\/strong><\/td>1st Edition<\/td><\/tr>
ISBN<\/strong><\/td>978-625-5036-12-4<\/td><\/tr>
DOI<\/strong><\/td>10.5281\/zenodo.23507951<\/td><\/tr>
Language<\/strong><\/td>T\u00fcrk\u00e7e<\/td><\/tr>
Main Topics<\/strong><\/td>Geleneksel Tu\u0308rk Sanatlar\u0131, Ko\u0308klerden Geleceg\u0306e, Sembolizm, Tasar\u0131m, Gelenek<\/td><\/tr>
At\u0131f\/Cite<\/strong><\/td>Karakelle Alper, A. (Ed.) (2026). K\u00f6klerden gelece\u011fe
geleneksel T\u00fcrk sanatlar\u0131 -II-<\/em>. Umay Yay\u0131nevi.<\/td><\/tr><\/tbody><\/table><\/figure>\n<\/div>\n<\/div>\n\n\n\n

\u00d6z:<\/strong>
Geleneksel T\u00fcrk sanatlar\u0131, ge\u00e7mi\u015fin estetik birikimini g\u00fcn\u00fcm\u00fcze ta\u015f\u0131yan bi\u00e7imlerin \u00f6tesinde; toplumlar\u0131n k\u00fclt\u00fcrel belle\u011fini, \u00fcretim deneyimini, inan\u00e7 d\u00fcnyas\u0131n\u0131 ve ya\u015fam pratiklerini ku\u015faklar aras\u0131nda bulu\u015fturan \u00e7ok katmanl\u0131 bir mirast\u0131r. K\u00f6klerden Gelece\u011fe Geleneksel T\u00fcrk Sanatlar\u0131 ba\u015fl\u0131kl\u0131 bu iki ciltlik eserin ikinci cildi, geleneksel sanatlar\u0131m\u0131z\u0131n zengin bi\u00e7im dilini, teknik \u00e7e\u015fitlili\u011fini ve tarihsel derinli\u011fini farkl\u0131 ara\u015ft\u0131rma perspektifleriyle ele almaktad\u0131r. Dokuma, ke\u00e7e, \u00e7ini, seramik, tezhip, kitap cilt sanat\u0131 ve hat gibi farkl\u0131 alanlarda \u015fekillenen \u00e7al\u0131\u015fmalar; yerel \u00fcretim geleneklerinden saray sanatlar\u0131na, tarihsel bezeme repertuvarlar\u0131ndan \u00e7a\u011fda\u015f tasar\u0131m aray\u0131\u015flar\u0131na uzanan geni\u015f bir inceleme alan\u0131 sunmaktad\u0131r. Bu \u00e7e\u015fitlilik, geleneksel T\u00fcrk sanatlar\u0131n\u0131n tek bir d\u00f6nem, teknik veya estetik anlay\u0131\u015fla s\u0131n\u0131rland\u0131r\u0131lamayacak kadar zengin ve dinamik bir k\u00fclt\u00fcrel yap\u0131 oldu\u011funu ortaya koymaktad\u0131r.<\/p>\n\n\n\n

Abstract:<\/strong>
Traditional Turkish arts are more than just forms that carry the aesthetic legacy of the past into the present; they constitute a multilayered heritage that bridges the cultural memory, creative experience, spiritual world, and way of life of communities across generations. The second volume of this two-volume work, titled \u201cTraditional Turkish Arts: From Roots to the Future,\u201d examines the rich formal language, technical diversity, and historical depth of our traditional arts through various research perspectives. The studies, which span various fields such as weaving, felting, Iznik tilework, ceramics, illumination, bookbinding, and calligraphy, offer a broad scope of inquiry\u2014ranging from local production traditions to court arts, and from historical decorative repertoires to contemporary design explorations. This diversity demonstrates that traditional Turkish arts constitute a cultural structure so rich and dynamic that it cannot be confined to a single period, technique, or aesthetic approach.<\/p>\n\n\n\n