{"id":355,"date":"2025-04-23T20:38:47","date_gmt":"2025-04-23T20:38:47","guid":{"rendered":"https:\/\/umayyayinevi.com\/?p=355"},"modified":"2026-02-14T14:19:53","modified_gmt":"2026-02-14T14:19:53","slug":"morfologia-skazki","status":"publish","type":"post","link":"https:\/\/umayyayinevi.com\/en\/morfologia-skazki\/","title":{"rendered":"\u041c\u043e\u0440\u0444\u043e\u043b\u043e\u0433\u0438\u044f \u0421\u043a\u0430\u0437\u043a\u0438 – \u0412\u043b\u0430\u0434\u0438\u043c\u0438\u0440 \u041f\u0440\u043e\u043f\u043f"},"content":{"rendered":"

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Book Name<\/strong><\/td>\u041c\u043e\u0440\u0444\u043e\u043b\u043e\u0433\u0438\u044f \u0421\u043a\u0430\u0437\u043a\u0438<\/td><\/tr>
Publishing Year<\/strong><\/td>2022<\/td><\/tr>
Number of Pages<\/strong><\/td>III+152<\/td><\/tr>
Edition Number<\/strong><\/td>1<\/td><\/tr>
ISBN<\/strong><\/td>978-625-97320-7-7<\/td><\/tr>
DOI<\/strong><\/td>https:\/\/doi.org\/10.5281\/zenodo.15620506<\/a><\/td><\/tr>
Pub. No:<\/strong><\/td>01\/01<\/td><\/tr>
Main Topics<\/strong><\/td>Masal, Yap\u0131, K\u00fclt\u00fcr<\/td><\/tr><\/tbody><\/table><\/figure>\n<\/div>\n<\/div>\n\n\n\n

\u00d6z:<\/strong>
Vladimir Propp\u2019un Morfologia Skazki<\/em> adl\u0131 eseri<\/strong>, halk masallar\u0131n\u0131n yap\u0131sal \u00e7\u00f6z\u00fcmlemesine y\u00f6nelik modern folklor kuram\u0131n\u0131n en etkili ve d\u00f6n\u00fc\u015ft\u00fcr\u00fcc\u00fc \u00e7al\u0131\u015fmalar\u0131ndan biridir. Propp, Rus ola\u011fan\u00fcst\u00fc masallar\u0131n\u0131 inceleyerek masallar\u0131n y\u00fczeydeki \u00e7e\u015fitlili\u011fine kar\u015f\u0131n derin yap\u0131lar\u0131nda d\u00fczenli, tekrarlayan ve s\u0131n\u0131rl\u0131 say\u0131da i\u015flev bar\u0131nd\u0131rd\u0131\u011f\u0131n\u0131 ortaya koyar. Ona g\u00f6re masallar\u0131n temelini, \u201ckarakter\u201d de\u011fil \u201ci\u015flev\u201d olu\u015fturur; yani bir fig\u00fcr\u00fcn kim oldu\u011fundan \u00e7ok, anlat\u0131 i\u00e7inde ne yapt\u0131\u011f\u0131n\u0131n \u00f6nemi vard\u0131r. Bu yakla\u015f\u0131m, halk anlat\u0131lar\u0131n\u0131n bi\u00e7imsel yap\u0131s\u0131n\u0131 bilimsel olarak s\u0131n\u0131fland\u0131rma giri\u015fimlerinde d\u00f6n\u00fcm noktas\u0131 niteli\u011findedir. Propp\u2019un en \u00f6nemli katk\u0131s\u0131, masallardaki olay \u00f6rg\u00fcs\u00fcn\u00fc 31 temel i\u015flev<\/strong> \u00fczerinden tan\u0131mlamas\u0131d\u0131r. Bu i\u015flevler belirli bir mant\u0131ksal zincir h\u00e2linde, \u00e7o\u011funlukla ayn\u0131 s\u0131ralamayla ortaya \u00e7\u0131kar ve b\u00f6ylece masal\u0131n \u201cbi\u00e7imsel iskeletini\u201d olu\u015fturur. \u00d6rne\u011fin \u201cyasak\u201d, \u201cyasak ihlali\u201d, \u201ckahraman\u0131n yola \u00e7\u0131k\u0131\u015f\u0131\u201d, \u201cdonorla kar\u015f\u0131la\u015fma\u201d, \u201cs\u0131nav\u201d, \u201cb\u00fcy\u00fcl\u00fc nesnenin elde edilmesi\u201d, \u201ck\u00f6t\u00fcn\u00fcn cezaland\u0131r\u0131lmas\u0131\u201d ve \u201cmutlu son\u201d gibi i\u015flevler, masal\u0131n anlat\u0131sal \u00f6rg\u00fcs\u00fcn\u00fc belirleyen temel a\u015famalard\u0131r. Propp ayr\u0131ca karakterleri de i\u015flevsel rollerine g\u00f6re s\u0131n\u0131fland\u0131rarak yedi temel karakter tipinden<\/strong> s\u00f6z eder: kahraman, k\u00f6t\u00fc, ba\u011f\u0131\u015f\u00e7\u0131 (donor), yard\u0131mc\u0131, sahte kahraman, prenses ve onun babas\u0131, g\u00f6nderici. B\u00f6ylece anlat\u0131daki fig\u00fcrlerin rollerinin k\u00fclt\u00fcrel ba\u011flamdan ba\u011f\u0131ms\u0131z olarak yap\u0131sal bir sistem i\u00e7inde anla\u015f\u0131labilece\u011fini g\u00f6sterir. Eser, anlat\u0131 bilimi, yap\u0131salc\u0131l\u0131k ve modern folklor ara\u015ft\u0131rmalar\u0131n\u0131n \u015fekillenmesinde belirleyici bir etki yaratm\u0131\u015ft\u0131r. Claude L\u00e9vi-Strauss, Roland Barthes ve Greimas gibi d\u00fc\u015f\u00fcn\u00fcrlerin yap\u0131salc\u0131 \u00e7al\u0131\u015fmalar\u0131nda Propp\u2019un kategorilerinden yo\u011fun bi\u00e7imde yararlan\u0131lm\u0131\u015ft\u0131r. Propp, masal\u0131 yaln\u0131zca k\u00fclt\u00fcrel bir \u00fcr\u00fcn olarak de\u011fil, kendi i\u00e7sel mant\u0131\u011f\u0131 ve yap\u0131sal kurallar\u0131 olan bir anlat\u0131 t\u00fcr\u00fc olarak ele alarak, halkbiliminde sistematik \u00e7\u00f6z\u00fcmleme gelene\u011finin temelini atm\u0131\u015ft\u0131r. Genel olarak Morfologia Skazki<\/em>, masallar\u0131n bi\u00e7imsel yap\u0131s\u0131n\u0131 bilimsel y\u00f6ntemle inceleyen, anlat\u0131 \u00e7\u00f6z\u00fcmlemesine evrensel bir model \u00f6neren ve folklor \u00e7al\u0131\u015fmalar\u0131nda devrim niteli\u011finde bir yap\u0131ta\u015ft\u0131r.

Abstract:<\/strong>
Vladimir Propp’s work Morphology of the Folktale is one of the most influential and transformative works of modern folklore theory on the structural analysis of folk tales. By examining Russian fairy tales, Propp reveals that despite their surface diversity, tales contain a limited number of regular, recurring functions in their deep structures. According to him, the basis of fairy tales is not \u201ccharacter\u201d but \u201cfunction\u201d; that is, what a figure does in the narrative is more important than who they are. This approach marks a turning point in attempts to scientifically classify the formal structure of folk narratives. Propp’s most important contribution is his definition of the plot of fairy tales through 31 basic functions. These functions appear in a specific logical chain, mostly in the same order, thus forming the \u201cformal skeleton\u201d of the fairy tale. For example, functions such as \u201cprohibition,\u201d \u201cviolation of the prohibition,\u201d \u201cthe hero’s departure,\u201d \u201cencounter with the donor,\u201d \u201ctrial,\u201d \u201cacquisition of the magical object,\u201d \u201cpunishment of the villain,\u201d and \u201chappy ending\u201d are the fundamental stages that determine the narrative structure of the fairy tale. Propp also classifies characters according to their functional roles, discussing seven basic character types: the hero, the villain, the donor, the helper, the false hero, the princess and her father, and the messenger. He thus demonstrates that the roles of figures in the narrative can be understood within a structural system independent of cultural context. The work has had a decisive influence on the shaping of narrative science, structuralism, and modern folklore studies. Thinkers such as Claude L\u00e9vi-Strauss, Roland Barthes, and Greimas have made extensive use of Propp’s categories in their structuralist works. Propp laid the foundation for systematic analysis in folklore by treating the fairy tale not merely as a cultural product, but as a narrative type with its own internal logic and structural rules.<\/p>\n\n\n\n