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                "value": "<![CDATA[<!-- wp:columns {\"className\":\" block-e7192c56-a75e-4d71-9f74-88f22ae17bd7 block-95e74987-cf14-43c2-913a-2e3d438e9a1e\"} -->\n<div class=\"wp-block-columns  block-e7192c56-a75e-4d71-9f74-88f22ae17bd7 block-95e74987-cf14-43c2-913a-2e3d438e9a1e\"><!-- wp:column {\"width\":\"33.33%\",\"className\":\"gutenova-block-column block-c5f7eec6-3a38-4bd6-80af-ff8d1fb39eef\"} -->\n<div class=\"wp-block-column gutenova-block-column block-c5f7eec6-3a38-4bd6-80af-ff8d1fb39eef\" style=\"flex-basis:33.33%\"><!-- wp:image {\"id\":3062,\"sizeSlug\":\"large\",\"linkDestination\":\"none\"} -->\n<figure class=\"wp-block-image size-large\"><img src=\"https:\/\/umayyayinevi.com\/wp-content\/uploads\/2026\/08\/The-Technique-of-the-Sculpture-682x1024.avif\" alt=\"\" class=\"wp-image-3062\"\/><\/figure>\n<!-- \/wp:image --><\/div>\n<!-- \/wp:column -->\n\n<!-- wp:column {\"width\":\"66.66%\",\"className\":\"gutenova-block-column block-0faf5e86-ee7e-4b0b-b979-c2d5b88384c2\",\"backgroundColor\":\"background\"} -->\n<div class=\"wp-block-column gutenova-block-column block-0faf5e86-ee7e-4b0b-b979-c2d5b88384c2 has-background-background-color has-background\" style=\"flex-basis:66.66%\"><!-- wp:table -->\n<figure class=\"wp-block-table\"><table class=\"has-fixed-layout\"><tbody><tr><td><strong>Kitap Ad\u0131<\/strong> <strong>\/ Yazar<\/strong><\/td><td>The Technique of the Sculpture \/ William Ordway Partridge<\/td><\/tr><tr><td><strong>Sayfa Say\u0131s\u0131<\/strong><\/td><td>118<\/td><\/tr><tr><td><strong>Bask\u0131 Say\u0131s\u0131<\/strong> <strong>\/ Yer<\/strong><\/td><td>1. Bask\u0131 \/ Samsun<\/td><\/tr><tr><td><strong>ISBN<\/strong><\/td><td>978-625-8950-27-4<\/td><\/tr><tr><td><strong>DOI<\/strong><\/td><td>10.5281\/zenodo.22180465<\/td><\/tr><tr><td><strong>Dil<\/strong><\/td><td>\u0130ngilizce<\/td><\/tr><tr><td><strong>Seri\/Numara<\/strong><\/td><td>132<\/td><\/tr><tr><td><strong>Ana Konular<\/strong><\/td><td>Sculpture Technique, Clay Modeling, Bronze Casting, Marble Carving, Art Instruction<\/td><\/tr><tr><td><strong>At\u0131f\/Cite<\/strong><\/td><td><\/td><\/tr><\/tbody><\/table><\/figure>\n<!-- \/wp:table --><\/div>\n<!-- \/wp:column --><\/div>\n<!-- \/wp:columns -->\n\n<!-- wp:paragraph {\"className\":\"gutenova-block-column block-0faf5e86-ee7e-4b0b-b979-c2d5b88384c2\"} -->\n<p class=\"gutenova-block-column block-0faf5e86-ee7e-4b0b-b979-c2d5b88384c2\"><strong>\u00d6z:<\/strong><br>Amerikal\u0131 heykelt\u0131ra\u015f William Ordway Partridge'in <em>The Technique of Sculpture<\/em> adl\u0131 eseri, gen\u00e7 sanat\u00e7\u0131lara heykel sanat\u0131n\u0131n pratik zanaat\u0131nda rehberlik etmek i\u00e7in tasarlanm\u0131\u015f pratik ve tarihsel bir el kitab\u0131d\u0131r. Kitap, teknik talimatlara ge\u00e7meden \u00f6nce estetik bir temel olu\u015fturmak ad\u0131na antik uygarl\u0131klar boyunca heykel sanat\u0131n\u0131n k\u0131sa bir tarih\u00e7esiyle ba\u015flar. Partridge; kille modelleme, al\u00e7\u0131 kal\u0131p alma, mermer yontma ve bronz d\u00f6k\u00fcm gibi zanaat\u0131n ad\u0131m ad\u0131m fiziksel s\u00fcre\u00e7lerini ayr\u0131nt\u0131lar\u0131yla anlat\u0131r. Hem mekanik do\u011frulu\u011fu hem de sanatsal sezgiyi vurgulayan Partridge; st\u00fcdyo aletleri, malzemeler, anatomi ve kuma\u015f k\u0131vr\u0131mlar\u0131 (draperi) \u00fczerine temel tavsiyeler sunarak ham maddenin bitmi\u015f bir heykele d\u00f6n\u00fc\u015f\u00fcm s\u00fcrecini anla\u015f\u0131l\u0131r k\u0131lan kapsaml\u0131 bir rehber sa\u011flar.<br><strong>Abstract:<\/strong><br><em>The Technique of Sculpture<\/em> by American sculptor William Ordway Partridge is a practical and historical manual designed to guide aspiring artists through the practical craftsmanship of sculpting. The book opens with a concise history of sculpture across ancient civilizations, setting an aesthetic foundation before diving into technical instruction. Partridge details the step-by-step physical processes of the craft, including clay modeling, plaster casting, marble carving, and bronze founding. Emphasizing both mechanical accuracy and artistic intuition, Partridge provides essential advice on studio tools, materials, anatomy, and drapery, offering a comprehensive primer that demystifies the transition from raw material to finished sculpture.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:file {\"id\":3063,\"href\":\"https:\/\/umayyayinevi.com\/wp-content\/uploads\/2026\/08\/The-Technique-of-the-Sculpture.pdf\",\"displayPreview\":true} -->\n<div class=\"wp-block-file\"><object class=\"wp-block-file__embed\" data=\"https:\/\/umayyayinevi.com\/wp-content\/uploads\/2026\/08\/The-Technique-of-the-Sculpture.pdf\" type=\"application\/pdf\" style=\"width:100%;height:600px\" aria-label=\"The Technique of the Sculpture\"><\/object><a id=\"wp-block-file--media-6158d2c6-e31b-49ba-8126-d7badeb9e6a2\" href=\"https:\/\/umayyayinevi.com\/wp-content\/uploads\/2026\/08\/The-Technique-of-the-Sculpture.pdf\">The Technique of the Sculpture<\/a><a href=\"https:\/\/umayyayinevi.com\/wp-content\/uploads\/2026\/08\/The-Technique-of-the-Sculpture.pdf\" class=\"wp-block-file__button wp-element-button\" download aria-describedby=\"wp-block-file--media-6158d2c6-e31b-49ba-8126-d7badeb9e6a2\">\u0130ndir<\/a><\/div>\n<!-- \/wp:file -->]]>",
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