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                "value": "<![CDATA[<!-- wp:columns {\"className\":\" block-2c5c95de-b641-4083-a3d4-189c3e2a6b72 block-b8e31d91-02b4-4327-8fc2-855dc70013e2\"} -->\n<div class=\"wp-block-columns  block-2c5c95de-b641-4083-a3d4-189c3e2a6b72 block-b8e31d91-02b4-4327-8fc2-855dc70013e2\"><!-- wp:column {\"width\":\"33.33%\",\"className\":\"gutenova-block-column block-cf3b18ef-554a-4c94-a313-264b3d40e56d\"} -->\n<div class=\"wp-block-column gutenova-block-column block-cf3b18ef-554a-4c94-a313-264b3d40e56d\" style=\"flex-basis:33.33%\"><!-- wp:image {\"id\":2917,\"sizeSlug\":\"large\",\"linkDestination\":\"none\"} -->\n<figure class=\"wp-block-image size-large\"><img src=\"https:\/\/umayyayinevi.com\/wp-content\/uploads\/2026\/08\/Psicologia-Musicale-682x1024.avif\" alt=\"\" class=\"wp-image-2917\"\/><\/figure>\n<!-- \/wp:image --><\/div>\n<!-- \/wp:column -->\n\n<!-- wp:column {\"width\":\"66.66%\",\"className\":\"gutenova-block-column block-f3694c33-a3a6-4934-aeb6-80cd25e69079\",\"backgroundColor\":\"background\"} -->\n<div class=\"wp-block-column gutenova-block-column block-f3694c33-a3a6-4934-aeb6-80cd25e69079 has-background-background-color has-background\" style=\"flex-basis:66.66%\"><!-- wp:table -->\n<figure class=\"wp-block-table\"><table class=\"has-fixed-layout\"><tbody><tr><td><strong>Kitap Ad\u0131<\/strong> <strong>\/ Yazar<\/strong><\/td><td>Psicologia Musicale \/ Mario Pilo<\/td><\/tr><tr><td><strong>Sayfa Say\u0131s\u0131<\/strong><\/td><td>259<\/td><\/tr><tr><td><strong>Bask\u0131 Say\u0131s\u0131<\/strong> <strong>\/ Yer<\/strong><\/td><td>1. Bask\u0131 \/ Samsun<\/td><\/tr><tr><td><strong>ISBN<\/strong><\/td><td>978-625-90384-8-3<\/td><\/tr><tr><td><strong>DOI<\/strong><\/td><td>10.5281\/zenodo.22172715<\/td><\/tr><tr><td><strong>Dil<\/strong><\/td><td>\u0130talyanca<\/td><\/tr><tr><td><strong>Seri\/Numara<\/strong><\/td><td>101<\/td><\/tr><tr><td><strong>Ana Konular<\/strong><\/td><td>Psychology of Music, Music Aesthetics, Sound Perception, Auditory Physiology, Musical Emotion<\/td><\/tr><tr><td><strong>At\u0131f\/Cite<\/strong><\/td><td><\/td><\/tr><\/tbody><\/table><\/figure>\n<!-- \/wp:table --><\/div>\n<!-- \/wp:column --><\/div>\n<!-- \/wp:columns -->\n\n<!-- wp:paragraph -->\n<p><strong>\u00d6z:<\/strong><br>Mario Pilo'nun <em>Psicologia Musicale<\/em> adl\u0131 eseri, 19. y\u00fczy\u0131l\u0131n sonlar\u0131nda m\u00fczik, insan bilinci ve duygusal alg\u0131 aras\u0131ndaki kesi\u015fimi inceleyen \u00f6nc\u00fc bir \u0130talyan \u00e7al\u0131\u015fmas\u0131d\u0131r. Pilo, akustik uyar\u0131c\u0131lar\u0131n psikolojik deneyimlere nas\u0131l d\u00f6n\u00fc\u015ft\u00fc\u011f\u00fcn\u00fc ara\u015ft\u0131r\u0131rken, ses alg\u0131s\u0131n\u0131n fizyolojik mekanizmalar\u0131n\u0131 tetikledi\u011fi \u00f6znel estetik ve duygusal tepkilerle birlikte analiz eder. D\u00f6neminin erken deneysel psikolojisinden ve evrimsel teorilerinden yararlanarak; m\u00fcziksel ifadenin, ritmin ve harmoninin insan sinir sistemiyle olan ili\u015fkisini inceler. Eser, m\u00fczi\u011fin karma\u015f\u0131k duygular\u0131 uyand\u0131rma kapasitesini bilimsel bir zemine oturtarak ve duyusal fizyolojiyi psikoloji teorisiyle bulu\u015fturarak m\u00fczik esteti\u011fi i\u00e7in temel bir \u00e7er\u00e7eve sunar.<br><strong>Abstract:<\/strong><br><em>Psicologia Musicale<\/em> by Mario Pilo is a pioneering late 19th-century Italian work exploring the intersection of music, human consciousness, and emotional perception. Pilo investigates how acoustic stimuli translate into psychological experiences, analyzing the physiological mechanisms of sound perception alongside the subjective aesthetic emotional responses they provoke. Drawing upon early experimental psychology and evolutionary theories of his time, he examines the origins of musical expression, rhythm, and harmony in relation to the human nervous system. The book offers a foundational framework for musical aesthetics by scientifically grounding music's capacity to evoke complex human feelings, bridging sensory physiology with psychological theory.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:file {\"id\":2918,\"href\":\"https:\/\/umayyayinevi.com\/wp-content\/uploads\/2026\/08\/Psicologia-Musicale.pdf\",\"displayPreview\":true} -->\n<div class=\"wp-block-file\"><object class=\"wp-block-file__embed\" data=\"https:\/\/umayyayinevi.com\/wp-content\/uploads\/2026\/08\/Psicologia-Musicale.pdf\" type=\"application\/pdf\" style=\"width:100%;height:600px\" aria-label=\"Psicologia Musicale\"><\/object><a id=\"wp-block-file--media-8b00bec9-8d61-41db-81e7-d677064f7c86\" href=\"https:\/\/umayyayinevi.com\/wp-content\/uploads\/2026\/08\/Psicologia-Musicale.pdf\">Psicologia Musicale<\/a><a href=\"https:\/\/umayyayinevi.com\/wp-content\/uploads\/2026\/08\/Psicologia-Musicale.pdf\" class=\"wp-block-file__button wp-element-button\" download aria-describedby=\"wp-block-file--media-8b00bec9-8d61-41db-81e7-d677064f7c86\">\u0130ndir<\/a><\/div>\n<!-- \/wp:file -->]]>",
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