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                "value": "<![CDATA[<!-- wp:columns -->\n<div class=\"wp-block-columns\"><!-- wp:column {\"width\":\"33.33%\"} -->\n<div class=\"wp-block-column\" style=\"flex-basis:33.33%\"><!-- wp:image {\"id\":526,\"sizeSlug\":\"large\",\"linkDestination\":\"none\"} -->\n<figure class=\"wp-block-image size-large\"><img src=\"https:\/\/umayyayinevi.com\/wp-content\/uploads\/2025\/06\/UMAY-YAYINEVI-KAPAKLAR-1-642x1024.jpg\" alt=\"\" class=\"wp-image-526\"\/><\/figure>\n<!-- \/wp:image --><\/div>\n<!-- \/wp:column -->\n\n<!-- wp:column {\"width\":\"66.66%\",\"className\":\"is-style-stripes\",\"backgroundColor\":\"background\"} -->\n<div class=\"wp-block-column is-style-stripes has-background-background-color has-background\" style=\"flex-basis:66.66%\"><!-- wp:table -->\n<figure class=\"wp-block-table\"><table class=\"has-fixed-layout\"><tbody><tr><td><strong>Kitap Ad\u0131<\/strong><\/td><td>M\u00fcn\u015fe\u02be\u00e2t-\u0131 Lat\u00eefe<\/td><\/tr><tr><td><strong>Yay\u0131n Y\u0131l\u0131<\/strong><\/td><td>2025<\/td><\/tr><tr><td><strong>Sayfa Say\u0131s\u0131<\/strong><\/td><td>III+545<\/td><\/tr><tr><td><strong>Bask\u0131 Say\u0131s\u0131<\/strong><\/td><td>1<\/td><\/tr><tr><td><strong>ISBN<\/strong><\/td><td>978-625-97320-4-6<\/td><\/tr><tr><td><strong>DOI<\/strong><\/td><td><a href=\"https:\/\/doi.org\/10.5281\/zenodo.15653130\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/doi.org\/10.5281\/zenodo.15653130<\/a><\/td><\/tr><tr><td><strong>Seri\/Numara<\/strong><\/td><td>S01\/07<\/td><\/tr><tr><td><strong>Ana Konular<\/strong><\/td><td>Letaif, m\u00fcn\u015feat<\/td><\/tr><\/tbody><\/table><\/figure>\n<!-- \/wp:table --><\/div>\n<!-- \/wp:column --><\/div>\n<!-- \/wp:columns -->\n\n<!-- wp:paragraph -->\n<p><strong>\u00d6z:<\/strong><br><strong>S\u00fcheyl\u00ee\u2019nin <em>M\u00fcn\u015fe\u02be\u00e2t-\u0131 Lat\u00eefe<\/em>\u2019si<\/strong>, Osmanl\u0131 klasik nesrinin in\u015fa (mektup ve yaz\u0131\u015fma) gelene\u011fini temsil eden en zarif ve edeb\u00ee bak\u0131mdan rafine \u00f6rneklerden biridir. Eser, S\u00fcheyl\u00ee mahlasl\u0131 m\u00fcellife atfedilen \u00e7e\u015fitli mektuplar, tebriknameler, temenniler, hiciv ve latife unsurlar\u0131 ta\u015f\u0131yan k\u0131sa yaz\u0131lar ve kimi zaman manzum par\u00e7alardan olu\u015fan bir mecmuad\u0131r. Osmanl\u0131 k\u00fclt\u00fcr\u00fcnde m\u00fcn\u015feat kitaplar\u0131 hem b\u00fcrokratik yaz\u0131\u015fman\u0131n kal\u0131plar\u0131n\u0131 \u00f6\u011fretmek hem de sanatl\u0131 nesrin estetik inceliklerini gen\u00e7 yaz\u0131c\u0131lara aktarmak gibi i\u015flevlere sahip oldu\u011fundan, <em>M\u00fcn\u015fe\u02be\u00e2t-\u0131 Lat\u00eefe<\/em> hem pedagojik hem de edeb\u00ee bir karakter ta\u015f\u0131r. Eserin dili, s\u00fcsl\u00fc nesrin belirgin \u00f6zelliklerini yans\u0131t\u0131r: Arap\u00e7a ve Fars\u00e7a terkiplerle zenginle\u015fen kelime \u00f6rg\u00fcs\u00fc, secili ve ritmik c\u00fcmleler, te\u015fbih ve mecazlarla bezenmi\u015f ifadeler metinlerin temel niteli\u011fidir. Bu \u00fcslup, Osmanl\u0131 medrese e\u011fitiminin etkisiyle \u015fekillenmi\u015f olup, d\u00f6nemin entelekt\u00fcel \u00e7evrelerince edeb\u00ee bir maharet olarak kabul edilmi\u015ftir. S\u00fcheyl\u00ee\u2019nin metinlerinde yaln\u0131zca \u00f6vg\u00fc veya tebrik de\u011fil, ayn\u0131 zamanda ince bir mizah, zarif bir ironi ve g\u00fcnl\u00fck hayat\u0131n n\u00fckteleri de g\u00f6ze \u00e7arpar. Bu y\u00f6n\u00fcyle eser, sadece bir yaz\u0131\u015fma kal\u0131plar\u0131 derlemesi de\u011fil, ayn\u0131 zamanda d\u00f6nemin zihniyet d\u00fcnyas\u0131n\u0131 yans\u0131tan k\u00fclt\u00fcrel bir belge niteli\u011findedir. <em>M\u00fcn\u015fe\u02be\u00e2t-\u0131 Lat\u00eefe<\/em>, sosyal tarih a\u00e7\u0131s\u0131ndan da \u00f6nem ta\u015f\u0131r; \u00e7\u00fcnk\u00fc metinlerde devlet adamlar\u0131, \u00e2limler ve dost \u00e7evreleri aras\u0131ndaki nezaket kurallar\u0131, hitap bi\u00e7imleri ve toplumsal hiyerar\u015finin nas\u0131l dilsel olarak kuruldu\u011fu izlenebilir. Ayr\u0131ca mecmuada yer alan \u00f6rnekler, Osmanl\u0131 toplumunda mektubun yaln\u0131zca haberle\u015fme arac\u0131 de\u011fil, ayn\u0131 zamanda estetik bir ifade bi\u00e7imi oldu\u011funu g\u00f6sterir. Sonu\u00e7 olarak S\u00fcheyl\u00ee\u2019nin <em>M\u00fcn\u015fe\u02be\u00e2t-\u0131 Lat\u00eefe<\/em>\u2019si, klasik Osmanl\u0131 in\u015fa gelene\u011finin \u00fcslup, d\u00fc\u015f\u00fcnce ve edeb\u00ee tatlar\u0131n\u0131 bir arada sunan; hem edebiyat tarihi hem de k\u00fclt\u00fcrel tarih ara\u015ft\u0131rmalar\u0131 i\u00e7in vazge\u00e7ilmez bir kaynak niteli\u011findeki bir m\u00fcn\u015feat mecmuas\u0131d\u0131r.<br><br><strong>Abstract: <\/strong><br>S\u00fcheyl\u00ee's M\u00fcn\u015fe\u02be\u00e2t-\u0131 Lat\u00eefe is one of the most elegant and refined examples of Ottoman classical prose representing the tradition of correspondence (letters and correspondence). The work is a collection of various letters, congratulatory messages, wishes, satirical and humorous short writings, and sometimes rhymed pieces attributed to the author known by the pen name S\u00fcheyl\u00ee. Since m\u00fcn\u015feat books in Ottoman culture served both to teach the patterns of bureaucratic correspondence and to convey the aesthetic subtleties of artistic prose to young scribes, M\u00fcn\u015fe\u02be\u00e2t-\u0131 Lat\u00eefe has both a pedagogical and literary character. The language of the work reflects the distinctive features of ornate prose: a vocabulary enriched with Arabic and Persian compounds, selected and rhythmic sentences, and expressions adorned with similes and metaphors are fundamental characteristics of the texts. This style was shaped by the influence of Ottoman madrasa education and was accepted as a literary skill by the intellectual circles of the period. S\u00fcheyl\u00ee's texts feature not only praise or congratulations, but also subtle humor, refined irony, and witticisms from daily life. In this respect, the work is not merely a collection of correspondence templates, but also a cultural document reflecting the mindset of the period. M\u00fcn\u015fe\u02be\u00e2t-\u0131 Lat\u00eefe is also significant from a social history perspective, as the texts reveal the rules of etiquette, forms of address, and how social hierarchy was linguistically constructed among statesmen, scholars, and circles of friends. Furthermore, the examples in the collection demonstrate that letters in Ottoman society were not merely a means of communication but also an aesthetic form of expression. In conclusion, S\u00fcheyl\u00ee's M\u00fcn\u015fe\u02be\u00e2t-\u0131 Lat\u00eefe is a collection of letters that brings together the style, thought, and literary tastes of the classical Ottoman tradition; it is an indispensable source for both literary history and cultural history research.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:file {\"id\":528,\"href\":\"https:\/\/umayyayinevi.com\/wp-content\/uploads\/2025\/06\/Munseati-Latife.pdf\",\"displayPreview\":true} -->\n<div class=\"wp-block-file\"><object class=\"wp-block-file__embed\" data=\"https:\/\/umayyayinevi.com\/wp-content\/uploads\/2025\/06\/Munseati-Latife.pdf\" type=\"application\/pdf\" style=\"width:100%;height:600px\" aria-label=\"M\u00fcn\u015feat\u0131 Latife\"><\/object><a id=\"wp-block-file--media-438b205c-69cd-4851-9e81-3f193b5015f5\" href=\"https:\/\/umayyayinevi.com\/wp-content\/uploads\/2025\/06\/Munseati-Latife.pdf\">M\u00fcn\u015feat\u0131 Latife<\/a><a href=\"https:\/\/umayyayinevi.com\/wp-content\/uploads\/2025\/06\/Munseati-Latife.pdf\" class=\"wp-block-file__button wp-element-button\" download aria-describedby=\"wp-block-file--media-438b205c-69cd-4851-9e81-3f193b5015f5\">Kitab\u0131 \u0130ndir<\/a><\/div>\n<!-- \/wp:file -->\n\n<!-- wp:separator -->\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n<!-- \/wp:separator -->\n\n<!-- wp:details -->\n<details class=\"wp-block-details\"><summary><strong>MARC 21 VE ONIX 3.0 KAYITLARI \u0130\u00c7\u0130N TIKLAYINIZ.<\/strong><\/summary><!-- wp:table -->\n<figure class=\"wp-block-table\"><table class=\"has-fixed-layout\"><tbody><tr><td><strong>MARC 21<\/strong><\/td><td><strong>ONIX 3.0<\/strong><\/td><\/tr><tr><td>LDR 00000nam a2200000 i 4500<br>001 UMY2025S0107<br>003 TR-UMY<br>008 260204s2025 tu 000 0 tur d<br>020 ## $a 9786259732046<br>024 7# $a 10.5281\/zenodo.15653130 $2 doi<br>040 ## $a TR-UMY $b tur $e rda $c TR-UMY<br>100 1# $a S\u00fcheyl\u00ee, $e author.<br>245 10 $a M\u00fcn\u015fe\u02be\u00e2t-\u0131 Lat\u00eefe \/ $c S\u00fcheyl\u00ee.<br>250 ## $a 1. bask\u0131.<br>264 #1 $a Samsun : $b Umay Yay\u0131nevi, $c 2025.<br>300 ## $a iii, 545 sayfa ; 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                "value": "Kitap Ad\u0131M\u00fcn\u015fe\u02be\u00e2t-\u0131 Lat\u00eefeYay\u0131n Y\u0131l\u01312025Sayfa Say\u0131s\u0131III+545Bask\u0131 Say\u0131s\u01311ISBN978-625-97320-4-6DOIhttps:\/\/doi.org\/10.5281\/zenodo.15653130Seri\/NumaraS01\/07Ana KonularLetaif, m\u00fcn\u015feat\n\n\n\n\n\n\u00d6z:S\u00fcheyl\u00ee\u2019nin M\u00fcn\u015fe\u02be\u00e2t-\u0131 Lat\u00eefe\u2019si, Osmanl\u0131 klasik nesrinin in\u015fa (mektup ve yaz\u0131\u015fma) gelene\u011fini temsil eden en zarif ve edeb\u00ee bak\u0131mdan rafine \u00f6rneklerden biridir. Eser, S\u00fcheyl\u00ee mahlasl\u0131 m\u00fcellife atfedilen \u00e7e\u015fitli mektuplar, tebriknameler, temenniler, hiciv ve latife unsurlar\u0131 ta\u015f\u0131yan k\u0131sa yaz\u0131lar ve kimi zaman manzum par\u00e7alardan olu\u015fan bir mecmuad\u0131r. Osmanl\u0131 k\u00fclt\u00fcr\u00fcnde m\u00fcn\u015feat kitaplar\u0131 hem b\u00fcrokratik yaz\u0131\u015fman\u0131n kal\u0131plar\u0131n\u0131 \u00f6\u011fretmek hem de sanatl\u0131 nesrin estetik inceliklerini gen\u00e7 yaz\u0131c\u0131lara aktarmak gibi i\u015flevlere sahip oldu\u011fundan, M\u00fcn\u015fe\u02be\u00e2t-\u0131 Lat\u00eefe hem pedagojik hem de edeb\u00ee bir karakter ta\u015f\u0131r. Eserin dili, s\u00fcsl\u00fc nesrin belirgin \u00f6zelliklerini yans\u0131t\u0131r: Arap\u00e7a ve Fars\u00e7a terkiplerle zenginle\u015fen kelime \u00f6rg\u00fcs\u00fc, secili ve ritmik c\u00fcmleler, te\u015fbih ve mecazlarla bezenmi\u015f ifadeler metinlerin temel niteli\u011fidir. Bu \u00fcslup, Osmanl\u0131 medrese e\u011fitiminin etkisiyle \u015fekillenmi\u015f olup, d\u00f6nemin entelekt\u00fcel \u00e7evrelerince edeb\u00ee bir maharet olarak kabul edilmi\u015ftir. S\u00fcheyl\u00ee\u2019nin metinlerinde yaln\u0131zca \u00f6vg\u00fc veya tebrik de\u011fil, ayn\u0131 zamanda ince bir mizah, zarif bir ironi ve g\u00fcnl\u00fck hayat\u0131n n\u00fckteleri de g\u00f6ze \u00e7arpar. Bu y\u00f6n\u00fcyle eser, sadece bir yaz\u0131\u015fma kal\u0131plar\u0131 derlemesi de\u011fil, ayn\u0131 zamanda d\u00f6nemin zihniyet d\u00fcnyas\u0131n\u0131 yans\u0131tan k\u00fclt\u00fcrel bir belge niteli\u011findedir. M\u00fcn\u015fe\u02be\u00e2t-\u0131 Lat\u00eefe, sosyal tarih a\u00e7\u0131s\u0131ndan da \u00f6nem ta\u015f\u0131r; \u00e7\u00fcnk\u00fc metinlerde devlet adamlar\u0131, \u00e2limler ve dost \u00e7evreleri aras\u0131ndaki nezaket kurallar\u0131, hitap bi\u00e7imleri ve toplumsal hiyerar\u015finin nas\u0131l dilsel olarak kuruldu\u011fu izlenebilir. Ayr\u0131ca mecmuada yer alan \u00f6rnekler, Osmanl\u0131 toplumunda mektubun yaln\u0131zca haberle\u015fme arac\u0131 de\u011fil, ayn\u0131 zamanda estetik bir ifade bi\u00e7imi oldu\u011funu g\u00f6sterir. Sonu\u00e7 olarak S\u00fcheyl\u00ee\u2019nin M\u00fcn\u015fe\u02be\u00e2t-\u0131 Lat\u00eefe\u2019si, klasik Osmanl\u0131 in\u015fa gelene\u011finin \u00fcslup, d\u00fc\u015f\u00fcnce ve edeb\u00ee tatlar\u0131n\u0131 bir arada sunan; hem edebiyat tarihi hem de k\u00fclt\u00fcrel tarih ara\u015ft\u0131rmalar\u0131 i\u00e7in vazge\u00e7ilmez bir kaynak niteli\u011findeki bir m\u00fcn\u015feat mecmuas\u0131d\u0131r.Abstract: S\u00fcheyl\u00ee's M\u00fcn\u015fe\u02be\u00e2t-\u0131 Lat\u00eefe is one of the most elegant and refined examples of Ottoman classical prose representing the tradition of correspondence (letters and correspondence). The work is a collection of various letters, congratulatory messages, wishes, satirical and humorous short writings, and sometimes rhymed pieces attributed to the author known by the pen name S\u00fcheyl\u00ee. Since m\u00fcn\u015feat books in Ottoman culture served both to teach the patterns of bureaucratic correspondence and to convey the aesthetic subtleties of artistic prose to young scribes, M\u00fcn\u015fe\u02be\u00e2t-\u0131 Lat\u00eefe has both a pedagogical and literary character. The language of the work reflects the distinctive features of ornate prose: a vocabulary enriched with Arabic and Persian compounds, selected and rhythmic sentences, and expressions adorned with similes and metaphors are fundamental characteristics of the texts. This style was shaped by the influence of Ottoman madrasa education and was accepted as a literary skill by the intellectual circles of the period. S\u00fcheyl\u00ee's texts feature not only praise or congratulations, but also subtle humor, refined irony, and witticisms from daily life. In this respect, the work is not merely a collection of correspondence templates, but also a cultural document reflecting the mindset of the period. M\u00fcn\u015fe\u02be\u00e2t-\u0131 Lat\u00eefe is also significant from a social history perspective, as the texts reveal the rules of etiquette, forms of address, and how social hierarchy was linguistically constructed among statesmen, scholars, and circles of friends. Furthermore, the examples in the collection demonstrate that letters in Ottoman society were not merely a means of communication but also an aesthetic form of expression. 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