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Kitap Ad\u0131<\/strong><\/td>Essai de Sociologie du Cin\u00e9ma: Morgan ou l'impossible R\u00e9volution<\/td><\/tr>
Yay\u0131n Y\u0131l\u0131<\/strong><\/td>2026 \/ Umay Yay\u0131nevi<\/td><\/tr>
Sayfa Say\u0131s\u0131<\/strong><\/td>i+18<\/td><\/tr>
Bask\u0131 Say\u0131s\u0131<\/strong> \/ Yer<\/strong><\/td>1. Bask\u0131 \/ Samsun<\/td><\/tr>
Dil<\/strong><\/td>Frans\u0131zca<\/td><\/tr>
ISBN<\/strong><\/td>978-625-93285-5-3<\/td><\/tr>
DOI<\/strong><\/td>https:\/\/doi.org\/10.5281\/zenodo.18623974<\/td><\/tr>
Seri\/Numara<\/strong><\/td>30<\/td><\/tr>
Ana Konular<\/strong><\/td>Sosyoloji, Cinema, Ba\u015fkald\u0131r\u0131<\/td><\/tr><\/tbody><\/table><\/figure>\n<\/div>\n<\/div>\n\n\n\n

\u00d6z:<\/strong>
Annie Goldmann ve Jacques Leenhardt, Essai de sociologie du cin\u00e9ma: Morgan ou l\u2019impossible r\u00e9volution<\/em> ba\u015fl\u0131kl\u0131 \u00e7al\u0131\u015fmalar\u0131nda Karel Reisz\u2019in Morgan: A Suitable Case for Treatment<\/em> filmini sosyolojik ve Marksist bir perspektifle analiz eder. Lucien Goldmann\u2019\u0131n genetik yap\u0131salc\u0131l\u0131k yakla\u015f\u0131m\u0131ndan hareketle, filmin kahraman\u0131n\u0131n devrimci arzusunun ge\u00e7 kapitalist toplumun ideolojik ve kurumsal yap\u0131lar\u0131 i\u00e7inde ba\u015far\u0131s\u0131zl\u0131\u011fa mahk\u00fbm oldu\u011funu savunurlar. Film, radikal ele\u015ftirinin sinema taraf\u0131ndan nas\u0131l so\u011furuldu\u011funu ya da estetikle\u015ftirilerek etkisizle\u015ftirildi\u011fini g\u00f6steren bir \u00f6rnek olarak de\u011ferlendirilir. Sonu\u00e7 olarak \u00e7al\u0131\u015fma, modern sineman\u0131n toplumsal \u00e7eli\u015fkileri yans\u0131tt\u0131\u011f\u0131n\u0131 ancak ger\u00e7ek bir devrimci d\u00f6n\u00fc\u015f\u00fcm \u00fcretmekte yetersiz kald\u0131\u011f\u0131n\u0131 ileri s\u00fcrer.

Abstract:<\/strong>
In Essai de sociologie du cin\u00e9ma: Morgan ou l\u2019impossible r\u00e9volution<\/em>, Annie Goldmann and Jacques Leenhardt examine Karel Reisz\u2019s film Morgan: A Suitable Case for Treatment<\/em> within a framework of sociological and Marxist film analysis. Drawing on Lucien Goldmann\u2019s genetic structuralism, they interpret the protagonist\u2019s revolutionary aspirations as structurally doomed within the ideological and institutional conditions of late capitalism. The film becomes a case study demonstrating how cinematic narratives absorb, neutralize, or aestheticize radical critique. The authors ultimately argue that modern cinema reflects social contradictions but rarely enables genuine revolutionary transformation.<\/p>\n\n\n\n

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MARC 21 ve ONIX 3.0 KAYITLARI \u0130\u00c7\u0130N TIKLAYINIZ.<\/strong><\/summary>\n
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Bask\u0131 \/ SamsunDilFrans\u0131zcaISBN978-625-93285-5-3DOIhttps:\/\/doi.org\/10.5281\/zenodo.18623974Seri\/Numara30Ana KonularSosyoloji, Cinema, Ba\u015fkald\u0131r\u0131\n\n\n\n\n\n\u00d6z:Annie Goldmann ve Jacques Leenhardt, Essai de sociologie du cin\u00e9ma: Morgan ou l\u2019impossible r\u00e9volution ba\u015fl\u0131kl\u0131 \u00e7al\u0131\u015fmalar\u0131nda Karel Reisz\u2019in Morgan: A Suitable Case for Treatment filmini sosyolojik ve Marksist bir perspektifle analiz eder. Lucien Goldmann\u2019\u0131n genetik yap\u0131salc\u0131l\u0131k yakla\u015f\u0131m\u0131ndan hareketle, filmin kahraman\u0131n\u0131n devrimci arzusunun ge\u00e7 kapitalist toplumun ideolojik ve kurumsal yap\u0131lar\u0131 i\u00e7inde ba\u015far\u0131s\u0131zl\u0131\u011fa mahk\u00fbm oldu\u011funu savunurlar. Film, radikal ele\u015ftirinin sinema taraf\u0131ndan nas\u0131l so\u011furuldu\u011funu ya da estetikle\u015ftirilerek etkisizle\u015ftirildi\u011fini g\u00f6steren bir \u00f6rnek olarak de\u011ferlendirilir. Sonu\u00e7 olarak \u00e7al\u0131\u015fma, modern sineman\u0131n toplumsal \u00e7eli\u015fkileri yans\u0131tt\u0131\u011f\u0131n\u0131 ancak ger\u00e7ek bir devrimci d\u00f6n\u00fc\u015f\u00fcm \u00fcretmekte yetersiz kald\u0131\u011f\u0131n\u0131 ileri s\u00fcrer.Abstract:In Essai de sociologie du cin\u00e9ma: Morgan ou l\u2019impossible r\u00e9volution, Annie Goldmann and Jacques Leenhardt examine Karel Reisz\u2019s film Morgan: A Suitable Case for Treatment within a framework of sociological and Marxist film analysis. Drawing on Lucien Goldmann\u2019s genetic structuralism, they interpret the protagonist\u2019s revolutionary aspirations as structurally doomed within the ideological and institutional conditions of late capitalism. The film becomes a case study demonstrating how cinematic narratives absorb, neutralize, or aestheticize radical critique. 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